Filed under Music

Akina and Mariya

It is no secret that if a poll was conducted between fans on their favourite Akina album, a large number of them would have 「Crimson」down as one of the Top 3 choices. It is my personal favourite because it presents Akina in a totally different light from the image that she usually projects with her single releases.

After her mysterious turn with 「不思議」which marks her first mature album, she follows it up with a 180 deg turn into exploring womanhood, with an album full of potential hits, but none released as a single.  山下達郎さん famously criticised her rendition of「駅」in Mariya’s million selling self-cover album 「Request」but retracted his comments later by saying that it was the arrangement rather than the singer.

「駅」is probably one of Mariya’s most covered tracks together with 「元気を出して」, which coincidentally was also originally recorded by 薬師丸ひろ子 in her debut album, and not released as a single. Mariya sings it with a free soul, having moved on totally from her ex-lover with 「駅」, but Akina’s version is painstaking, and in my humble opinion, a better rendition and interpretation of the lyrics, especially the bit where she realises that her ex-lover’s true love was her.

Recently, I started wondering about 山下達郎さん’s comments, and wonder if his comments had more to do with Akina not releasing any of the songs given to her by Mariya as singles, rather than his issue with her treatment of the song in「Crimson」. Mariya is a respected and accomplished songwriter and she brings clout to the singers who usually release her songs as singles, but Akina had chosen only to include it in an album. Did they believe that she showed disrespect this way? Should they have given 「駅」to Teresa Teng, because they thought it would make a nice 歌謡 song?

In my opinion, she should definitely have released 「駅」as a single, but then, I believe Akina preferred 「約束」because she performed that in 夜ヒット, and it would have made a better single than 「Fin」. Anyway, one can’t rewrite history but I think this performance below, which is one of my favourite Akina performances ever shows what a beautiful rendition Akina’s 「駅」is.

 

竹内まりや – 【駅】

北ウィング is a mystery

Call it a mystery or pure bad luck, but due to inexplicable circumstances (or someone just way too keen), 北ウィング lost out on the No. 1 coveted spot on the Oricon Chart in January 1984.

According to this site, if one observed the chart for 1984.1.9, which collects sales data for the week ending 1983.12.26, 北ウィング makes its debut on No.2 on its first week on the Oricon chart, selling 8.5万枚, losing out to eventual 1984 sales champ もしも明日か。。。by わらべ. Call it bad luck.

Chart 1984.1.19

If you look at the chart closely, you will notice that 北ウィング is the only single released on 1984.1.1.

Now, let’s look at the next chart, which collects sales data for following two weeks (as Japan shuts down for the New Year). You will see that 北ウィング sold more (two week total) at 12.3万枚, but still insufficient to defeat the champ.

Chart 1984.1.16

However, look at the sole new entry that week -クライマックス御一緒に by あんみつ姫 (小泉今日子). The release date for that single is the same as 北ウィング (1984.1.1), which means that 北ウィング’s entry in the previous chart was premature.

Somehow, Oricon had calculated 北ウィング’s sales in advance and charted it early, causing 北ウィング to miss out on the coveted No. 1 spot, which it would have because its combined sales would have been 20.8万枚, eclipsing もしも明日か。。。and entering at No.1.

What caused this? An over eager staff member releasing the single for sales earlier and Oricon punishing Warner? An over zealous Seiko fan who was working at Oricon? I guess we will never know. It’s unfair but there’s nothing we can do to correct “history”.

The only saving grace is that 北ウィング topped ザ・ベストテン chart for 5 weeks, which is a more definitive chart of sorts because it tabulated airplay requests as well.

Re-release of Akina EAST LIVE INDEX – XXIII (Gold edition – 24 bit remastered 2011)

「ゴールデン☆ベスト AKINA EAST LIVE INDEX-XXIII」
価格:¥3,000[税込]
発売日:2011/05/11
商品番号:WPCL-10946/7
レーベル:ワーナーミュージック・ジャパン

Blue on Pink (Pumpers like to Pump Remix)

OMG, I was perusing SoundCloud and randomly searched for “Akina Nakamori” (I do that with every music service) and found this REALLY TRIPPY remix of “Blue On Pink” – one of the best b-sides ever – I really could get high on this!! What a treat and rare find!

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中森明菜 in 夜のヒットスタジオ DVD boxset 2010.12.22

2010.12.22 ON SALE
(DVD6枚組)POBD-22017/22 \26,250(tax in)
Link : http://www.universal-music.co.jp/akina/POBD-22017.html

Crazy Love (Djan Memories Remix)

Here’s more “Oh Oh Oh So Happy” for everyone!! Enjoy!!

Crazy Love (Hi Quality Rip)

Here you go guys! お楽しみにください!

*Remember to go HD720p for the best audio quality!

CRAZY LOVE

All thanks to Ranbi (and his very helpful friend), we managed to lay our hands on a clearer rip of CRAZY LOVE!!! And let’s just say that based on the earlier lo-fi rip, you ain’t heard anything yet! Stay tuned for CRAZY LOVE!!

Akina’s Daiichi Press Conference

The first video is of her actual appearance during the press conference.

http://www.tudou.com/programs/view/rJmRoF9nHJg/

The second video is the introduction of the Pachinko, which looks really fun!

http://www.tudou.com/programs/view/30tla7xPqe4/

You get to listen to parts of Crazy Love and bits of the MV, which reminds me of the background for Moonlight Shadow. Akina doesn’t seem to like it very much, even after the announcer used the word “カコイイ”. She also said that she will have an urge to throw stones/rocks at the car if she saw it driving out in the open. Umm …

What I like is her smile and how her voice is so much stronger and louder. She has stopped speaking so softly like she used too, which is good. As for the video, I will reserve my judgment when I can view it in its entirety.

“Crazy Love” – Lofi Preview

Here you go guys! It’s ripped directly off the mobile phone, so please pardon the quality. ENJOY!!

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